THIS UNDERRATED 22-YEAR-OLD JAPANESE HORROR FILM IS PERFECT FOR THE RING FANS

The long-awaited anime adaption of Junji Ito's classic horror manga Uzumaki is finally set to hit Adult Swim on September 28. Fans who have been waiting for this moment since the series went into production in 2019 can satisfy themselves with the incredible live-action version from the year 2000, currently streaming on Prime.

The funny and frightening film is an excellent adaptation of the manga, but it also offers a unique twist on the usual themes of the J Horror genre.The beloved Junji Ito is a highly idiosyncratic creator who effortlessly blends humor and horror in his visually striking manga. The same can be said of this stylish film version of Uzumaki, which is by turns sweet and funny, then profoundly unsettling. Such versatility is required for a story this strange: A small town is gripped by a curse that causes a dangerous obsession with spirals. A teenage couple struggles to escape as the people they love, and the reality they once knew, are changed forever.

Junji Ito's Spiral-Obsessed Manga Inspired a Live-Action Cult Classic

From 1998 to 1999, Junji Ito's Uzumaki (meaning "spiral") was serialized in the magazine Big Comic Spirits. Ito was gaining fame for his surreal, disturbing, darkly funny stories, and a big-screen adaptation of this series was rushed into production before the manga even concluded. The film came out in 2000, just in time to join the ranks of the growing J Horror movement alongside classics like Ringu and Ju-On: The Grudge, with which it shared themes of alienation, obsession, and supernatural contagion. Director Higuchinsky's first feature is both a J Horror gem and an iconoclastic vision in a class of its own.

The story joins teens Kirie (Eriko Hatsune) and Shuichi (Fhi Fan) as they notice disturbing changes in their isolated town. Classmates meet shocking ends at the bottom of a spiral staircase, or wound up in the wheel well of a car; others change physically, with curling hair that moves on its own, or snail shells emerging from their backs. Once-trusted adults turn violent as they obsess over spirals, and the environment itself begins to twist into vortex-like forms. Kirie and Shuichi will have to move quickly and make tragic sacrifices if they are to escape the whirlpool-like curse.

Higuchinsky's exceptional film pits playful humor and naive, David Lynch-like romance against disturbing body horror and inescapable doom. The small-town atmosphere is infused with a sense of the fantastic through its unnatural pink and green palate, its swirling shadows and fog, and its skillful blend of early digital effects and gruesome practical constructs. Uzumaki is as charming as it is disturbing, making it a fine reflection of the manga on which it is based; at the same time, though, it is a strikingly original film that is hard to compare to any other.

Uzumaki Is the Most Eccentric Entry In the J Horror Canon

The J Horror movement made a major splash in the late 1990s and early 2000s with films about spooky kids, women swathed in long, stringy hair, and stories of urban legends and deadly curses. The J Horror Virus, a 2023 documentary by Sarah Appleton and Jasper Sharp, contextualizes these films within a period of economic downturn in Japan that bred feelings of pessimism and loneliness, perhaps driving people to fill social voids with private obsessions. Sharp has commented on how the films hyperbolize this situation with their supernatural contagions that destroy a person from within. Sharp said:

In America, they always see the monster or ghost as something to fight against, like an enemy. Its always something outside of yourself. In Japan, its very much about the ghosts or scary things that come from within you, that its your perception... I dont know how much Hollywood or Western horror has changed its philosophy because of (J Horror). I think there are films to deal with that kind of feeling, that the evil might be within you or society, not threats from the outside. Films like Smile and It Follows have taken that approach.

Classics Ju-On: The Grudge (2002), Ringu (1999), Pulse (2001), and Suicide Club (2001) all share the threat of a virus-like curse. Sometimes, mass media is a vector for the virus, much like David Cronenberg's visionary Videodrome; more often, the virus is formed by unresolved conflicts or psychic wounds. In Uzumaki, the spiral is like an intrusive thought that eats up all of a person's energy. Kirie is the careless type, and Shuichi is focused on his future; neither is susceptible to obsession, which may be why they survive long enough to see the destruction of their community.

The forthcoming anime adaptation adds to the Uzumaki franchise that already includes two video games as well as Higuchinsky's feature film. Each entry provides its own take on Junji Ito's singular vision, but this live-action iteration is bound to leave new fans obsessed. Prime subscribers should definitely make it part of their Halloween season program.

2024-09-09T12:56:03Z dg43tfdfdgfd